RTLZWEI - München (ots) - Laut | Live | Legendär | Das Musik- & Influencer-Event des Jahres - THE DOME am Oktober in der. Die neue "The Dome Summer " gefällt mir richtig gut, ist eigentlich so ziemlich alles drauf, was im Moment in den Charts Rang und Namen hat - Billie Eilish. Nach dem erfolgreichen Comeback in Oberhausen, steigt das kultige Musik-Event „The Dome“ nun am Oktober Dieses Mal in.
The Dome 2019 Liam Payne und Alec Benjamin bei The Dome 2019!
Die neue "The Dome Summer " gefällt mir richtig gut, ist eigentlich so ziemlich alles drauf, was im Moment in den Charts Rang und Namen hat - Billie Eilish. Entdecken Sie The Dome Summer [Explicit] von Various artists bei Amazon Music. Werbefrei streamen oder als CD und MP3 kaufen bei albergocasadelpellegrino.eu Nach einer jahrelangen Pause hatte RTL II im vergangenen Jahr "The Dome" zurück auf die Mattscheibe gebracht. Die TV-Ausstrahlung des. Am Oktober ist The Dome zurück! Was euch auf dem Musik- und Influencer-Event erwartet, erfahrt ihr hier. Nach dem erfolgreichen Comeback in Oberhausen, steigt das kultige Musik-Event „The Dome“ nun am Oktober Dieses Mal in. The Dome Diese Stars kommen. Bisher wurde nur Senkrechtstarter Wincent Weiss („ Feuerwerk“) angekündigt. Aber im letzten Jahr gab es. Die ersten Hits des Jahres auf einem Sampler: Hier können Sie»The Dome Vol. 89«jetzt ganz einfach und bequem online bestellen.
Am Oktober ist The Dome zurück! Was euch auf dem Musik- und Influencer-Event erwartet, erfahrt ihr hier. The Dome Diese Stars kommen. Bisher wurde nur Senkrechtstarter Wincent Weiss („ Feuerwerk“) angekündigt. Aber im letzten Jahr gab es. Entdecken Sie The Dome Summer [Explicit] von Various artists bei Amazon Music. Werbefrei streamen oder als CD und MP3 kaufen bei albergocasadelpellegrino.eu
The Dome 2019 Programmation VideoSteve Aoki Drops Only @ World Club Dome 2019
Decades is an immersive show in which sound and image are intimately linked and complete each other throughout. During the performance, the changing textures, shapes and sounds tell a story, an abstract and organic narrative reminiscent of the various stages of existence.
From womb to tomb, with its crises and lulls. The sound and image are both shaped by overlapping layers and contrasting textures. The Decades sound landscape varies between the drone, ambient and techno.
Driven by the ambition to provide a unique life-affirming experience, ALEA s stages exhilarating performances that combine live drawing, video animation and electronic music.
By presenting both the creative process and its result, the collective explores different scales and temporalities.
It questions our relationship to space and time. In the centre of the dome, the three members work fast to improvise their creation, with no safety net.
The audience is caught in the ALEA s world, which comes together then falls apart increasingly rapidly throughout an intense and uncompromising experience.
During the writing process of their next album, Meteor Musik worked around the sonic narrative of solitude and claustrophobia that deep space evokes.
This resulted in the urge to connect it with the visual storytelling of Jaak De Digitale, thus creating a feature length film experience that fits the album.
The Brussels producer and musician explores housy rhythms and is animated by a talent to use seemingly trivial melodies smartly hiding a remarkably skilled musician.
For The Dome, he will perform an immersive piece as a duo electronics and guitar , flirting with ambient electronics and projections by the Brussels based artist Antoine Goldschmidt.
A work on melancholy, light and interstellar travel in a sort of parallel world to plunge the spectator into a light state of hypnosis.
Enjoy a spectacular selection of degree dome shows, specially curated for The Dome from the team of the International FullDome Festival.
The festival originating in Jena, Germany, is an annual gathering of Fulldome enthusiasts from around the world. It brings together leading professionals, artists, students, and general audiences interested in the emerging genre of degree film, also called immersive media.
Two compilations of Fulldome short films, featuring recent highlights and award winning productions from the Jena Festival. The program includes breathtaking journeys through outer space, intimate stories from inside the mind, and other exciting examples of what can happen when the images are liberated from flat, rectangular screens to explore the new world of expanded, surround media.
Follow the track and avoid the obstacles to reach the finish alive and safe. Complete your space driving test to get your first Space Driver license.
Space Driver — A new immersive ride show. Go the edge and beyond. Primitive primates psychological psilocybic exploration and eventual platonic penetration.
Climate Crimes explores the complex relationship between global air pollution, climate change and human migration. This immersive fulldome film investigates how anthropogenic aerosols and other atmospheric particles originating in the wealthy nations of the global north — Europe, USA, China, and others — impact global climate systems and contribute to the desertifcation and migration in the Sahel region of north Africa.
The spatial video content is designed to immerse the viewer in this cyclic story of cause and effect. Hallucinatory experiences of schizophrenic subjects can never be captured by a film camera.
With the indexicality to sound, the only way to visualize these inner experiences is through animation. The visualizations provide us hints of what they see, what they hear, what they feel.
It brings us inside a reality so different from ours. This documentary is based on an actual audio interview footage of a schizophrenic patient describing her hallucinatory phases.
An Immersive Media Experimental. Visual Music. The development of artistic languages to connect the realms of Visual and Sound Arts has been a life-long practice for artists throughout the 20th Century and onwards.
Germany, Bauhaus-Universität Weimar, VESTIGE is an immersive documentary that uses volumetric capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love.
Originally produced as a real-time, room-scale 6DOF VR experience the fulldome video adaptation captures the beauty and intimacy of the experience and shares it with the whole audience under the dome.
Circle circus is an abstract generative journey through space with visual and audible contrasts. An Accompanied synth storm creates the atmosphere of a condensed science fction movie, an odyssey into the mysteries of a vast void.
These generative visuals are made to explore the geometry laws of a dome projection. A degree projection on a vault is totally different from a plane one, allowing novel visual impressions.
Thereto I pursue three approaches. On the one hand I emphasise the geometry of the vault and animate each spot of the projection. On the other hand i incorporate free foating elements mutating in an organic way.
A short playful choreography of music and visuals, celebrating light within the dark. Like seeds from trees, paperkite-like, colorful creatures are falling into an inspiring world rich in form and color.
A dancer enters the dome. She looks around to take in the scene and then begins to interact with one of the KITES through her movements, guides and transforms it.
Germany, By Maximiliane Nirschl and Vanessa Zuber. An ordinary astronaut. A walk into the ordinary space which transforms into an extraordinary mission in the belly of the beast.
Humans wear smart contact lenses that augment their reality at all times and allow the government to monitor every move of the population. In light of current government regulations as of 29 October, the maximum booking size we are able to accept is 6 guests from 2 households.
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Under the Dome original novel. Adaptations of works by Stephen King. Creepshow Creepshow 2 Creepshow 3 Firestarter Rekindled Maximum Overdrive Trucks Misery Julie Ganapathi The Mangler The Mangler 2 RebornDie TV-Ausstrahlung des Comebacks Ich Steh Auf Dich Stream 1. Kommentar verfassen. Scheibe rein Jürgen Wagner Chartparty an! Alle neuen Meldungen täglich per Mail. Für eine vollständige und rechtzeitige Benachrichtigung übernehmen wir keine Garantie. Statt Mein Familienplaner 5 Sterne.
The Club Room is available for drinks-only bookings every day. Christmas Starts Here. As you would expect, we have spared no expense putting up Edinburgh's grandest display to cheer up a dark Festive Dining Menus.
Drinks at The Dome. As they approach it, four glowing hand prints appear, one on each side of the meteor. When the four place their hands on the meteor, it opens, revealing a glowing pink egg.
Attracted by the egg, Melanie picks it up. However, Lyle pushes her into the meteor, killing her and stopping the Kinship's infection process.
Melanie's friends bury her and the alien egg, swearing never to talk about the incident again. In , two archaeologists, Christine and Eva, search for an intact egg, which they believe to be located in Chester's Mill.
They work for a large energy company called "Aktaion," which has studied other eggs that crashed to earth. All of the other eggs were damaged by their impact.
Christine and Eva find the intact egg. As Christine holds it, the infection process begins. A large pink explosion occurs, and a dome lowers around them, with a mini-dome descending over the egg.
Christine and Eva are sucked into a large cave and cocooned. Over the next six weeks, many events happen within the dome.
Joe and Norrie find the mini-dome and the egg within it. The Kinship chooses Joe, Norrie, James, and Angie to be "the four hands," people who protect the dome, the mini dome, and the egg, and interact with them.
Pink stars, a visible energy source, appear many times throughout the life of the dome, most noticeably on the egg. Seasons 1 and 2 focus on the people inside the dome and on the nature of the mysterious dome itself.
Season 3 provides answers to these mysteries. In season 3, Christine resurrects Melanie, whom Christine uses to lure the townspeople into the caves so they can be cocooned and The Kinship can infect them.
Halfway through the transfer process, Big Jim breaks the egg, preventing a full infection. Over time, the townspeople become absorbed by The Kinship, except for a few who fight the aliens and try to escape.
After a while, the dome begins to deteriorate because the egg is being destroyed. As a result, The Kinship and The Resistance must work together to escape; otherwise, the dome will turn to stone, and everyone will suffocate and die.
They eventually bring down the dome. However, The Resistance plans to capture and kill The Kinship.
Once the dome comes down, the government enters Chester's Mill and imprisons everyone, letting the non-infected people The Resistance remain free.
All is well until a year later when The Resistance discover The Kinship's leader, Dawn, is still alive, posing as a schoolteacher and traveling with children to find another egg and bring down a new dome.
She finds an intact egg and says, "We'll come back another time. The project was first announced in November Vaughan was hired to adapt the novel as a series, then set up at cable network Showtime.
Tassler was interested and picked up the series along with attaching veteran television producer Neal Baer , who was under contract at CBS, as the showrunner.
It was announced in November that CBS had bypassed ordering a pilot and given Under the Dome a episode straight-to-series commitment.
A teaser trailer was created specially for the Super Bowl. Instead of showing footage, the teaser directed viewers to the show's official website, where they could enter their street address and postal code to view photos of what their homes and neighborhood would look like "under the dome".
In the first season, Brian K. Danish director Niels Arden Oplev produced and directed the pilot. Baer served as the showrunner for the series.
However, he had helped plan the second season with Baer and King before he left. Days before the series premiere aired on U. During the presentation event, the city's mayor, Bill Saffo , declared Monday, June 24, , as "Dome Day", and awarded Stephen King a key to the city.
On July 29, , the series was renewed for a episode second season, with executive producer and Under the Dome novel writer Stephen King announced to be writing the second-season premiere episode.
The second season ended on September 22, On October 9, , the series was renewed for a third season.
A month later, Baer provided some insight on the series as a whole, saying that each season has "an overarching philosophy". The second year was faith vs.
This year, it's the individual vs. The third season premiered on June 25, In an interview after the series finale aired on September 10, ,  Neal Baer said he was "very happy with this ending.
Baer had previously stated in an interview in October that he knew what the ending of the show would be, and that five seasons of 13 episodes would be an ideal length.
On August 25, , it was reported that the show's props would be sold between August 27 and 29, Filming for the series officially began in Southport and Wilmington , both in North Carolina , on February 28, On June 27, , King acknowledged that "the TV version of Under the Dome varies considerably from the book version", and called the series "very good" while commenting on some of those differences: .
That's also true of the big stuff, like the supermarket riot, the reason for all that propane storage, and the book's thematic concerns with diminishing resources.
Many of the changes wrought by Brian K. Vaughan and his team of writers have been of necessity, and I approved of them wholeheartedly. Some have been occasioned by their plan to keep the dome in place over Chester's Mill for months instead of little more than a week, as is the case in the book.
Other story modifications are slotting into place because the writers have completely reimagined the source of the dome.
Positive reviews included Tim Goodman of The Hollywood Reporter , who wrote that "the intriguing Stephen King adaption is filled with storytelling promise",  Glenn Garvin of the Miami Herald , who wrote that "based on the pilot episode — with its taut script, strong performances and special effects that are impressive without being overwhelming — there's hope that Under The Dome might measure up to its unsettling print progenitor",  and Verne Gay of Newsday , who wrote that the show "looks like a summer winner".
While the arrival of the dome is intriguing, the characters are not". I think the story is a shambles and the concept is dumb",  and Verne Gay of Newsday , who wrote "Under the dumb".
And given the state of horror on television these days, that's a bloody good compliment. Even while acknowledging the occasional misstep, give Under the Dome credit for getting a lot of things right",  while Sarah Rodman of The Boston Globe wrote that "there are glimmers of hope for season two".
In a June interview with The Hollywood Reporter to discuss season three, Neal Baer commented on the "less-than-favorable" critical reception to previous episodes.
So bring it on! It's really easy to criticize, and it's really hard to develop a show. It gives insight. But criticism has changed so much in the past several years because of the Internet.
There are so many places, so many voices. Sometimes it feels like there's a bandwagon of sorts! The third season received mixed reviews. Positive reviews included Ken Tucker of Yahoo!
By Maximiliane Nirschl and Vanessa Zuber. An ordinary astronaut. A walk into the ordinary space which transforms into an extraordinary mission in the belly of the beast.
Humans wear smart contact lenses that augment their reality at all times and allow the government to monitor every move of the population.
After learning about the advantages of the smart lenses in everyday life we quickly realize that the dark side of this system is bigger than we think.
Find out how the waka came to be there and how through the ages it has guided Polynesian sailors navigating the southern seas.
This shortfilm is a mystic clip where the imagery opens a sight into an abstract and mythological sphere to express the mortality and the confidence, not to be alone and lost in darkness but faced with the destiny to know to be committed to the decay, however being balanced with yourself in the pure.
This song, written by the musicians Bergholter, is a pleading for the belief in oneself, in the inner strength so that darkness cannot be harmful.
The acoustic world of the Bergholter duet lies somewhere inbetween electro, pop, techno and soul. The abstract story is represented by mythological figurations, partly hidden in darkness but still transmitting some luminance.
The visual language of the metaphysical sphere and inner thoughts in Bergholters very first song is a mixture of physical acting and cgi-elements.
I want to present our study of new ways of architectural communication and storytelling through immersive video. Aqua float is a colourful enduring generative fulldome projection.
The vast amount of geometrical particles remind one of a fish swarm or an atoll. The tricky mixing of foreground and background elements merges, divides and influences the space in between.
The constant change of agglomeration and loosening up of elements creates a vibrant and vivid atmosphere. The colours glow in darkness and illuminate the room with perpetual dashes of colours, sometimes tertiary muted, sometime primarily luminous.
The dark sea is aurally cut through a clear sonar sound, embedded in vast fluttery mystic surrounding.
A slow constantly repeating subsonic stroke evokes a sense of meditation. Up until now, planetariums have been mainly scientific and educational spaces, and contemporary art has rarely been displayed in them.
Yet planetariums exhibit the largest and most impressive images of our time, combined with the intense sound of highly developed degree acoustic technology.
With specially composed music by Kara-Lis Coverdale. This explains the tendency in science fiction films towards glimpses leading up to a big reveal when the alien is fully unveiled in front of the viewer.
This reveal is often followed by disappointment in the alien form, one that rarely meets our extraordinary expectations.
How is it that our imagination is incapable of creating a compelling alien form beyond a scant selection perpetuated by Hollywood films?
In this work, the artists explore the push and pull of tension, repetition and expectation — what is being revealed? Using a collection of simple materials, a range of textures is generated to appear as planetary surfaces, galaxies and alien skins.
The use of these materials is deliberate, aiming to highlight the sci-fi qualities of earthly objects. The soundtrack is based on a single phrase repeated with different sounds as a motif for the alien and their environment that are teased, but never fully revealed.
They develop their sensual plausibility in the digital world. One famous example is the Penrose-triangle: Its three beams appear to be positioned at right angles to each other, and yet they are connected to form a triangle.
In 3D-animation, such objects regularly surface through so-called mesh-mistakes. For their first joint Fulldome-piece, sound artist Robert Lippok and digital artist Lucas Gutierrez have identified these frequently occurring mistakes in their own artistic practice and develop data structures to explore these fantastic objects.
Their work produces different dimensionalities and creates new topological relations. This might not determine the inside or the outside of these impossible objects, but it will render the sonic and visual boundaries of a three-dimensional space tangible.
To this end, the composition uses simulated reflections in physical and virtual spaces. Various methods of traditional instrument building are used to transcribe the virtual geometries into musical patterns which, in turn, weave sequences of notes and real-time emulations of different sound sources into multi-layered textures.
The creation of the Universe in under two hours — beginning moments before the Big Bang, the new interactive work by artist and game designer David OReilly shows the development of life and progresses into our modern world, traveling through billions of years of history.
The experience is at turns dramatic and meditative, abstract and familiar, chaotic and ordered. This realtime simulation is governed by an array of interconnected, multi-layered systems inspired by musical composition.
These generate beautifully complex, ever-evolving forms and structures, always in motion and producing infinite variation, making every moment unique and unrepeatable.
Expect visions of colors and shapes through a fragmented prism, following the rythms of electronic music. A world premiere! The Dome.
Copernicus free entrance. The Dome, Place de la Monnaie. Suitable for all ages. Films "Digital Arts". Length: 35 min.
Skylark won the award for Innovative Production Technologies in the Fulldome festival Films Kids. Their only lead: the ancient legend that tells of touching the moon.
But how is a fish supposed to touch the moon? This is just one of the intriguing puzzles that Jake and Shorty have to solve on their most exciting adventure ever: the quest to save their beloved reef.
Directed, written: Peter Popp Lenght: 32 min.In den Warenkorb. Eine Weitergabe an Dritte erfolgt nicht. Alle neuen Meldungen täglich per Mail. Frühstücks Adventskalender 4 Sterne. Leider schon ausverkauft. Bier-Adventskalender The Grand Tour Staffel 3. Produkt empfehlen. Stimmungen Foto-Terminkalender Typ: einzeln 5 Sterne.